The subtle, ingenious thing you probably didn’t notice about Emmalina’s debut
After months of masterfully crafted suspense, Emmalina’s unveiling on WWE Raw was clearly an ingenious post-feminist critique of the populist patriarchal hegemony, which subtly subjugated societal constructs of female “beauty” to assert a neo-Gramscian praxis of communicative rationality, vis-a-vis the poststructuralist discourse ethics of Jürgen Habermas.
Either that or it was just dumb.
